all cities
Urs Lüthi’s latest exhibition short-circuits the artist’s practice in an infinite play of references and self-quotations. The show, curated by Luca Massimo Barbero and Elena F
“The exhibition includes six to eight new paintings.” A curiously undecided announcement for a gallery press release, but perhaps forgivable in the context of an artistic appro
The somewhat infelicitous title of this exhibition—one half expects a wizened old raconteur to greet visitors—belies a nuanced attention to the iterations and variations of nar
This deceptively enigmatic exhibition by Francesca Fuchs, simply titled “Paintings,” will not appease those looking for a quick read. While the ten canvases might initially com
Sterling Ruby’s latest exhibition, “2TRAPS,” comprises two bus-size rectangular pieces. One is a rigid steel security mesh with a fully visible cubic lattice of internal supp
In Kamrooz Aram’s latest exhibition, “Generation After Generation; Revolution After Revelation,” the deft control of the cosmically inflected paintings for which he is known
The glass case beloved of old-world museological practice has long since been reclaimed by artists as a strategic presentational device. When a project calls for that special kind
How can one characterize “the calm before the storm” in a place where the storm is always raging? This is the question driving curator Vardit Gross’s selection of Israeli vid
Rarely does an artist have two separate but identically named museum exhibitions on view in the same country at the same time. This winter, Bjarne Melgaard’s opening of “Jealou
“I photograph in color because the world is in color,” Eve Sonneman declared in 1976. Such a statement presented color photography as a near tautology––as exquisitely self-
Pedro Reyes first conceived of a television series that would feature puppets of Karl Marx and philosopher Adam Smith in 2007. It was not until the next year, however, when Akiko M
Very rarely does an exhibition that consists solely of video art succeed in convincing its audience to sit through each and every piece on display. “The Tell-Tale Heart,” howev
